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Entries categorized as ‘Fiction Writing’

Changing Gears

August 22, 2007 · 3 Comments

Always so much to learn. If the learning ever stops, then I think I must be dead.

Through Romance Divas I connected with a nice, intuitive, and smart woman who agreed to critique this first chapter (posted as Footprints 1, 2, & 3). Her input gave me much to think about, and I’m grateful for that.

One thing she said really hit home. I am terrible about writing a scene or chapter, and then re-working it to death. I don’t mean a simple reading back through and jotting down some notes. I mean drastic rewrites. I am so guilty of doing this rather than continuing to write that I can’t believe it took someone else to point that out to me. She quoted something from Nora Roberts on this: “I can fix shit; I can’t fix nothing.”

Think about that.

Anyway, I love Footprints, but I don’t know exactly where it’s going. It’s been about ten years since I wrote what is posted here. That’s a long time and distance from a story I was never very sure of in the first place.

An email from an old critique partner and dear friend now has me looking in another direction. Instead of writing another long contemporary (at this time), I’m going to try a short story. She is one of the publishers of a southern press called Bellebooks, and they have a series of down-home, Southern-style books called Mossy Creek. The books all revolve around a place in Georgia called Mossy Creek. Each book is an anthology of short stories involving the unique people of Mossy Creek. I’m re-reading and studying and thinking and hopefully will soon have an idea (or premise as I read in a blog recently) for a story that I can submit for an upcoming anthology.

I’ve never tried short stories because they are hard. I’m too wordy to be concise and crisp with my writing. BUT… I’m going to try to be just that. The big key will be in capturing the mood, voice, feel of Mossy Creek.

What might help is that in recent months I’ve gravitated more toward southern women writers’ books than category romance. I’ve read Dorothea Benton Frank and Cassandra King and other authors of what I call chick lit. They’re stand alone mainstream titles. These two authors evoke a mood that I enjoy and that perhaps will help me to find the right voice for the Mossy Creek stories.

Anyone out there read Frank or King? Let me hear your thoughts, if you do. What about the Mossy Creek books?

Categories: Books · Critiquing · Fiction · Fiction Writing · Romance Fiction · Writing · romance writing

Footprints - 3 (warning: long)

August 19, 2007 · 4 Comments

Anna approached the doors to the side porch slowly, her feet balking every few steps. Despite the July heat, the polished cypress floor felt cool, almost damp. At the French doors she hesitated, her heart constricting at the sound of the low, familiar lullaby coming from the porch.

Late afternoon sunlight filtered through the screen, casting the porch and its occupants in a muted golden hue. Anna stopped in the doorway to watch a well-rounded, coffee-colored woman perform a mesmerizing act on the young child she’d seen this morning in the kitchen with Sam.

So the child wasn’t a dream. After waking groggy from a drugged sleep, she’d hoped to find that she had imagined Sam and the screaming toddler. But here it was, straight black hair and all, cuddled in strong brown arms and staring up at Anna’s housekeeper with huge dark eyes.

As the duo rocked, the large, cushioned rocker creaked rhythmically, the sound mimicking the despair in Anna’s heart. Surely it was only yesterday that this same woman had held Susana and sung softly to her.

Anna swallowed the lump growing in her throat and drew a deep breath. A wave of lightheadedness made her reach for the door frame.

Filling her lungs again with warm salt air, she waited for the dizziness to pass and swore to flush the rest of her mother’s sleeping pills down the toilet. Their unpleasant after-effects far exceeded the brief descent into soothing numbness they produced. Besides, the last thing she needed was to follow her mother into chemical dependency. She’d rather never sleep again.

When she finally stepped onto the porch, she bumped into a plant stand, nearly upsetting it. The humming ceased.

“Missy!” exclaimed her part-time housekeeper in a low-pitched, maternal voice that was as deceptively soft and subtle as the surf just before the tide turns back toward shore. “Shame on you! Sneakin’ up on an old woman like me. Lucky my heart didn’t jest stop dead.”

Anna ignored the scolding and faced Opal St. John with slight bewilderment. “Is today Friday already?”

“Course not,” came Opal’s quick reply, “but when Samuel called this morning–”

“You came running.”

Opal smiled broadly. “He needed help, and when my favorite man calls, I–”

“Come running,” Anna finished for her again.

“Now stop that, missy. You know I’d walk this fat old body to the ends o’ the earth and back for that man.”

Opal’s lifelong service to Anna’s family and her immediate acceptance and subsequent devotion to Anna’s husband was reciprocated tenfold as far as Anna was concerned. She loved Opal, who had been the one steadfast influence in her troubled childhood.

Anna stared at the child in Opal’s arms. “So, this is why Sam needs help.”

Sam had pulled some pretty outrageous stunts in the seven years of their marriage, but this one topped them all.

“He needs help, all right, takin’ on a child with not so much as a howdy-do,” continued Opal in her rich, Jamaican singsong. “He’s a good man, Samuel is, so when he called this morning begging me to drop everything and come quick to help out with this fine young fellow here, I’m not about to refuse.”

“Good man, my–” Anna started, then stopped when Opal’s dark, disapproving gaze fell on her.

As if Anna had not even spoken, Opal turned her attention back to the child, lifting him until his face was close to her own. “And if this old woman is any judge, this is a fine young fellow sure.”

Opal cooed and chuckled, producing a wide smile and an answering giggle from the child.

Anna tried to ignore the raw emotions surfacing in her, but still found her voice low and husky when she asked, “Where’s Sam?”

“Gone into Charleston on business.” Opal eyed her with a shrewdness which made Anna want to shift her weight from foot to foot like a child caught with her hand in the cookie jar. “My, aren’t we the lady of leisure today?”

“Sam did not sleep in my bed last night, if that’s what you’re implying.”

“Now, missy, would I try to intrude on what goes on behind your bedroom door?” asked Opal, feigning innocence. “I was jest wondering if you planned to be exchanging those red jamas for some real clothes anytime today, or if you’re going on back to bed.”

Certain now that Opal had finally discovered the small bottle of sleeping pills she’d hidden weeks ago behind the aspirins in her medicine cabinet, Anna refused to explain either her state of undress or her sleeping habits. Instead, she grumbled, “What time is it?”

“High time, missy, plenty high time,” Opal said quietly, not bothering to camouflage her continued displeasure with her employers’ separation. “It’s a crime against nature for two people who love each–”

“Enough!” Anna warned. “I only asked the time.”

Opal shot her a look that would have wilted a weaker person. “Nearly dinner time. I’m fixin’ Samuel’s favorite summer meal to welcome him home. Crabmeat salad, baked potatoes and ear corn.”

“Great,” murmured Anna, “just don’t make him feel too welcome. He won’t be staying long.”

Opal’s sharp brown eyes captured hers, the censure in them clear. “You can’t be meaning that, now can you, missy? You miss him as much as I do.”

“Believe what you want, Opal. I don’t care.”

Anna turned to go. She couldn’t stay here and listen to Opal’s none-too-subtle attempts at reconciling her and Sam. Nor could she stand by and watch Opal fawn over some child Sam no doubt had produced to take Susana’s place.

Besides, she wanted to be dressed when Sam made his appearance. She needed every psychological advantage possible in order to withstand his sensual assault on her. Even after everything, she’d discovered last night that she was still much too vulnerable to just the sight and smell of him. Despite the sleeping pill, she’d lain awake long into the night missing anew the warmth of his body next to hers.

“You should have told me you and Samuel were going about adopting a child,” Opal commented too casually. “I could have had the nursery ready.”

Opal’s words stopped Anna dead. She turned back and stared hard at her housekeeper, who was walking her fingers up the child’s arm as if she hadn’t just dropped a bomb. The child giggled contentedly. Anna forced her gaze from him to Opal.

“Adopting a child? You mean … him?” She glanced back at the child, who was mimicking Opal’s finger-walk by moving his own tiny fingers up the housekeeper’s round arm. “Is that what Sam told you?”

“Samuel told me nothing. But this old woman ain’t born yesterday.” Deep laughter shook her shoulders. “Not even day before yesterday, for sure. Samuel don’t have to say anything. Why else would he be bringing the boy all the way from South America, if not to adopt him?”

Anna blinked. This conversation was far too confusing for her to follow in her present half-groggy state. She knew she was going to flush those pills now. “How do you know Sam brought the boy from South America?”

“The airline stubs, missy. Poked in the side of the diaper bag. Samuel and this young man flew here all the way from Bogota.” She acted as if she was stating what Anna already knew. “Sometimes foreign adoptions work that way. Remember my cousin’s daughter, Trudy? That’s how she and–”

“Opal,” interrupted Anna, her voice as sharp as the pain piercing her head, “will you get on with it? I know all about Trudy and James flying to Jamaica for little Etienne.”

“Don’t look at me that way, missy. I just assumed you knew all–”

“Well, don’t assume anything, Opal,” Anna said, and sighed, “especially anything involving Sam and me. We’re not adopting that child, for goodness sake.”

“Now don’t get snippy with me, missy. I could still take you over my knee–”

Deep masculine laughter from the yard interrupted Opal’s throaty voice and brought both women’s heads around. A giggle of delight erupted from the boy. Sam, dressed uncharacteristically in a suspiciously new-looking business suit and carrying two huge shopping bags, stood at the foot of the steps leading up from the wide, shady yard.

“Careful, Anna,” he said as he shoved his way through the screen door and deposited the sacks on the floor beside him. “I believe she could do it.”

Still staring at Sam’s extraordinary outfit, Anna was totally unprepared when Opal thrust the boy into her arms and chuckled. “Make yourself useful, missy, while I see to dinner. Welcome home, Samuel. Don’t go running off again. Dinner in one hour.”

Momentarily forgetting Sam, Anna looked down at the toddler squirming in her arms. He was heavy, heavier than his size indicated, and he was beginning to fuss. Maternal instincts she’d thought were dead kicked in, and she shifted him in her arms until he was snuggled against her bosom. Rocking back and forth on her bare feet, she met his wary dark stare head on.

He was afraid. Poor thing. She smoothed a lock of coal-colored hair out of his eyes and cooed softly. “Ssh, little one. It’s all right. I won’t hurt you. Nobody will hurt you.”

At the sound of her voice, the child stopped struggling and smiled up at her, his tiny white teeth shining like iridescent pearls. Then he did an incredible thing. He said, “Mama.”

Anna’s heart lurched. She’d never heard anyone call her that except Susana. It sounded strange coming from this boy whose name she didn’t even know. Vaguely, she wondered if she resembled his mother. Whoever he was, this child was beautiful.

Tearing her gaze away from him, she glanced at Sam, who stood leaning against a white post and smiling slightly. Not wanting to frighten the child unnecessarily, she forced a stiff smile of her own and tried to keep her voice pleasant as she asked, “What the hell are thinking, Sam? Who is this child, and why did you bring him all the way from South America?”

Sam’s smile turned as false and brittle as her own. “Good, Anna. Your years in front of a jury has made you an excellent actress.”

Upon hearing a familiar voice, the child turned his head and reached for Sam. Anna handed him over, thankful to be relieved of her burden, for the boy’s lively warmth was beginning to do crazy things to her insides. Again, she forced her voice to remain low and gentle. “Who is he?”

Sam ran his hand over the boy’s head and then met Anna’s steady gaze. “You look a little pale, darling. Perhaps you should sit down for this.”

Unable to hide her exasperation another moment, Anna ignored his obviously feigned concern over her well being and repeated her question. “Who the hell is he, Sam?”

Eyeing her cautiously, Sam hesitated as if choosing his words carefully. “Just don’t faint on me. I have my hands full at the moment.”

“Sam!”

He shrugged. “Okay, Anna. If you’re sure you don’t want to sit down first. This is Miguel, and according to his birth certificate, he’s my son.”

Categories: Fiction · Fiction Writing · Romance Fiction · Writing

Discipline

August 18, 2007 · No Comments

When I first started writing, I was lucky to hook up with a group of writers in Memphis.  Linda Kichline had moved to Memphis and wanted to get some writers together for meeting and sharing and critiquing. I honestly can’t remember how we connected the first time, but the important thing was that some local women (I lived two hours away in Arkansas) met in a neighborhood library and formed a group of writers that was to become the River City Romance Writers. There were under ten of us. It was a beginning.

From this core group of writers, this brand new chapter of Romance Writers of America, emerged a group of us who started meeting for critiquing. None of us were published, and there were really too many. We met every Saturday come rain or shine, usually in someone’s home. Yes, I drove the four-hour round trip every Saturday. It was that important to me. In a few months, the group had dropped to four or five. Then down to three of us. Out of this group came Debra Dixon and Lisa Higdon, who became published romance writers. Debi was the first to publish, and even after publication, she continued to meet with us. Lisa published after the group suspended meeting, but publish she did.

The success of these dedicated and determined writers always fills me with a sense of awe.

I came close, but never quite reached that goal.

Nevertheless, discipline kept me writing consistently for about five years. Without that weekly deadline I probably would have gone weeks without producing any fresh pages. But even if I had a few bad days, I managed to meet the goals. Each week, slowly as a slug creeping across a patio, I produced.

When the critique group broke up, I lost that impetus. I lost part of my support system. Oh, I still had Debi and Lisa and others in RCRW who encouraged and read my pages and brainstormed with me. But I did not have to hand out at least ten NEW pages every Saturday. I soon stopped producing. And with the devastating rejection (that thing all writers experience and must survive), I lost the heart to write. Oh, I played around with some story ideas and wrote a little. But nothing like before.

Now I live in a rural county in southern Arkansas, about three or maybe more hours from Memphis. The old critique group is not there anymore, anyway.

This is not a piss and moan post. I know that only I can write my stories. But I miss that group. I miss the one-on-one, face-to-face interaction and discussions. I miss schmoozing with other writers. I miss RWA (yes, I let my membership lapse). I miss writing.

So why am I writing this? I think simply to express in my wordy, convoluted way that critique groups are important, interaction with other writers is important, sharing information about the publishing business is important… Ergo, isolation might work for some. But it doesn’t work for me.

Anyone else out there share my thoughts?

Categories: Arkansas · Discipline · Fiction · Fiction Writing · Romance Fiction · Writing

Writers Write!

August 16, 2007 · 5 Comments

Often during the past couple of days I’ve wondered if I’m wasting time surfing all the websites recommended by blogging writers. I love visiting those places and reading the forums and following the links to other equally interesting sites. But …

When do I write?

As much as I think blogging and exploring websites that deal with the writing business and craft are helpful things to do, I think the simple act of writing is the most important activity writers should pursue. Writers write! Period.

Tiny rant over.

Categories: Fiction Writing · Rants · Writing

Footprints - 2

August 16, 2007 · No Comments

Anna shielded her eyes from the bright sunlight and turned away from the huge bay window she’d once loved. How many lifetimes ago was that? A pain commenced in her chest and radiated outward, encompassing her whole being. Only one lifetime ago. One precious, all-too-brief lifetime ago.

The distant cooing of a mourning dove echoed her own inward keening, her own soulful mourning. What reason did she have for getting up? She’d given up trying to work months ago, turned all her clients over to her law partners and sought the sanctuary of Seascape. She’d needed to get away from well-meaning friends, domineering relatives and solemn-faced business acquaintances who could bowl her over in pain with nothing more than a sympathetic glance her way.

Unfortunately, she’d gotten what she wanted. Solitude. Now her days were spent alone. She had nowhere to go. Nothing to do. No one to love.

Once she’d cherished this ritual of waking up, loved the simple things that made her life so perfect. Not so long ago the bedroom door would open softly and Susana’s bare feet would pad across the hardwood floor. Then she would feel her child climb into bed and curl up at her back.

She pushed back the memories and pulled the light summer quilt over her head. Her eyes hurt. Her head pounded. Why had she let her mother convince her she needed sleeping pills?

A sudden sound from somewhere in the house caused her to freeze. Under the quilt, she lay absolutely still, every muscle in her body taut, every cell in her brain instantly awake and alert.

Then she remembered. Sam was sleeping in the guest room.

She was certain, though, that this noise couldn’t have come from Sam. This noise had come from downstairs and had sounded incredibly like a young child crying.

Anna shot out of bed and across the large room as if being pursued by demons. She flung open her bedroom door and held her breath, not daring to suck in even a tiny gulp of air. An instant later her vigilance was rewarded. Out of nowhere, the crying came again. This time it was louder, and this time it reverberated through her soul like the lament of a ghost child from the past.

On legs which threatened to buckle beneath her, she swept down the wide staircase. When the cry ceased suddenly, she stopped in her headlong dash and stood clutching the hand rail as if it were a lifeline to her sanity.

The resumption of the child’s crying, more fussing now than actual wailing, prompted her frozen limbs, and she continued down the staircase, this time more slowly. Seconds later, she stood trembling in the doorway to the kitchen watching Sam fit a sipper lid onto one of Susana’s old toddler drinking cups.

What drew her startled gaze, though, was the toddler standing next to Sam and clinging to his pant leg as if Sam would disappear if released. What the devil was Sam up to? Whose child was this?

Dressed in blue sleepers with feet, the toddler was surely a boy. Anna guessed his age at between a year and eighteen months. The fact that his full head of hair was midnight black, not goldenrod yellow, like Susana’s, sat like a lump of cold oatmeal in her gut.

For one brief, crazy moment she’d thought … she’d hoped ….

Anna sighed and slumped against the door frame. Not Susana.

Struggling to stay upright despite the weakness invading her knees, she turned away. How dare Sam bring another child into this household and expect her to accept it as a replacement for Susana. And there was no doubt in her mind he was trying to do just that. How dare he?

How dare he?

In spite of her escalating anger, she could not stay here and confront him when she was shaking so hard her legs would hardly hold her. Sam could make his explanations later. In fact, he damned well would make his explanations. But later.

For now, she needed the solitude of her bedroom, and perhaps another of her mother’s little white pills.

Categories: Fiction Writing · Romance Fiction · Writing

Footprints in the Sand - 1

August 16, 2007 · 1 Comment

Sam Baldwin covered the short distance from his rental car to the double-doored entry of the Victorian house called Seascape with resolve. The determined pace of his approach hid his churning emotions. Behind the house, some three hundred odd yards away, the gentle slap of the surf kept pace with his vacillating emotions.

The sea island home he had shared with his wife and daughter was dark. Was his soon-to-be-ex wife staying in Charleston with her parents? On the fairly safe bet that she had not started running home to her mother, Sam resisted the impulse to use his key. Instead, he rang the doorbell and waited impatiently for some sign that the house was occupied.

Almost immediately, a rosy-tinted glow appeared through the stained glass windows framing the double doors. When one of the heavy carved doors swung inward, Sam nearly stopped breathing.

Damn her! His wife had never been more beautiful.

Her thick, dark hair was piled high on her head, her long, curling lashes wet and spiky. For an instant he wondered if she’d been crying. Then he came to his senses. Anna Reardon Baldwin never cried.

She looked surprised to see him. “What do you want?”

You. Us. Susana. Not necessarily in that order.

“Glad to see me, huh?” He forced the quip and swallowed once to clear the lump from his throat. The light at the back of the wide hallway shone through the thin silk of her boxy red pajamas and cast every curve of her figure in flattering backlight. “Let me in, Anna. I need a place to stay.”

“You chose to leave months ago, Sam. Give me one good reason I should let you come back now.”

She presented a picture so intimately familiar, so filled with memories, it was all he could do not to reach out and haul her into his arms. Rubbing a hand across his tired, scratchy eyes, he chose his words carefully. He didn’t dare let her know how he really felt. How lost he was without her. How much he still loved her.

“Because it’s been one hell of a trying week, and I’ve traveled nearly twenty-four hours to get here?”

She didn’t so much as blink.

He tried again. “Because you used to care about people who needed your help?”

After a flash of something he could identify only as pain deep in her fathomless dark eyes, she recovered her indifferent demeanor and stared at him as if he’d lost his mind. “You’ve never needed anyone’s help, especially not mine.”

What he’d give not to need her now. But a glance over his shoulder at the rental car with its precious sleeping occupant drove home the fact that he did.

“I need you now,” he admitted, deliberately changing the focus of his need and wondering if she noticed the double entendre in his words.

“So, I’m supposed to believe that the invincible Sam Baldwin, who doesn’t possess a human emotional weakness, who can get over the death of his daughter as easily as–”

Her voice broke, and Sam stared in amazement at an Anna he had not seen since before Susana’s death. Maybe she hadn’t become quite as cold and detached as he had believed. Maybe the ice around her heart was beginning to melt.

She swallowed visibly, and in the space of a few seconds, she was again the distant, dispassionate woman he remembered from the months following Susana’s death. “I’m supposed to believe you need me, Sam?”

“I’ve never lied to you.”

She lifted an eyebrow. “Not intentionally, maybe.”

“Never, Anna. And you know it.” The anger that had simmered in him for months abruptly boiled over, and Sam retreated into familiar territory, into sarcasm, sarcasm that was meant to sting. “Deception and lies are your department, darling. Or have you lost your memory?”

“That’s the least of what I’ve lost.”

He met her cold stare and remembered why he’d left. Her eyes. Those dull, obsidian-colored eyes that had once sparkled life and humor and love. He’d been unable to face those once beautiful — but now dead — eyes another day.

With memory came pain. Pain laced with regret and a sadness so deep it soaked into his soul. Somewhere nearby crickets chirped, breaking the silence of the warm night and anchoring Sam to the present.

“We’ve both lost, Anna,” he corrected softly, hoarsely, his throat achingly raw. “We’ve both lost big time.”

A tense silence stretched between them. Then, without a word, she moved aside and motioned him inside.

Sam stepped past her and into the foyer of the huge old house they had fallen in love with and purchased on the spot six years earlier. His gaze panned the richness and beauty of the expensive antique furnishings she’d considered so important, so essential. So much a part of the image of her success as one of South Carolina’s most sought after trial attorneys.

How could their whole world have changed so much in just six years?

“What kind of trouble have you gotten yourself into this time?” came Anna’s cool, husky voice from behind him. “Did you and your trusty Nikon step into the middle of another coup? Snap an unflattering photo of another foreign dignitary? Or has another drug kingpin become miffed at your damning photos and ordered a hit on you?”

Sam glanced over his shoulder. She had crossed her arms and rested stiffly against the wall. For a moment he thought he detected a hint of emotion in her eyes, then decided he had imagined it. He drew a deep breath. This wouldn’t be easy.

“You opinion of my work is well known, Anna. Just tell me straight up whether or not you’ll let me stay.”

“You have an apartment. Remember? A separate domicile, as your lawyer so succinctly put it. Stay there.”

Weariness overtook Sam, and he sighed. “I’m too tired for this, Anna. I wouldn’t be here if I weren’t desperate. The truth is, I need more than just a place to stay. As I said before, I need your help.”

She rubbed a hand across her eyes. “Why me, Sam? Why now?”

“Timing never was my strong suit.” Tossing away the last of his pride, he asked, “Please, Anna, will you help me?”

She took her time answering. If he didn’t need her so much, he swore he’d turn and walk away, for good this time. But he did need her.

Even more, though, she needed him. He realized it for the first time now as he watched the first spark of life he’d seen in her expression since Susana’s death a year and a half ago. So what if that spark was anger? Any emotion was better than apathy.

Just say yes, Anna. For God’s sake, say yes.

Abruptly she pushed away from the wall and moved toward the back of the wide hallway. Over her shoulder, she said, “You can sleep in one of the guest rooms. I’m going to bed.”

At his silence, she glanced back. “Alone.”

He almost laughed and spread his arms and nodded in a gesture of concession. Then he watched her go, watched the unconsciously seductive way her hips swayed with each step. “Works for me,” he murmured to her retreating back. “I didn’t expect an enthusiastic, wifely welcome.”

Just hoped for one. Idiot!

Categories: Fiction Writing · Romance Fiction · Writing

The Beginning

August 15, 2007 · 2 Comments

As I lie down each night, my mind goes to the great American romance novel I will write…someday. In the past I haven’t done so badly. I produced two full mss and sent them off.

One was a beginning writer’s drivel. Trite plot, cliched characters, and unhoned writing skills. 

The second was better. The characters breathed…through part of the story, at least. The plot was almost a plot. The conflict was enough to get started, though it couldn’t maintain the level of sexual tension required for a category romance novel. That second ms was received by a wonderful editor at Silhouette that I shall never forget. I’d met her at several writers’ conferences before I queried her. My initial objective was to obtain an agent, which I did thanks to an introduction from a dear friend, who was already one of the agent’s clients. On to the submission of the ms to the Silhouette editor, who incidentally has risen to a higher position in the publishing house now (13 years later).

So I sent in my mss, and with it, years of hope. I lived on needles and pins for the next few weeks. I’d been told the wait to hear one way or another could take months. A negative response (rejection) might come more quickly. I don’t remember exactly how long I waited, but one day I got the dreaded returned bundle with my address written in my own handwriting. I was almost too nervous to open it. So I simply stared at it a long time.

The letter was a rejection letter, as I expected, but not a final, don’t-ever-send-this-trash-again rejection. The editor wrote a very long letter and outlined the things that caused her to reject the ms. She told me exactly why she rejected it. I couldn’t believe it! Were all rejections so cordial, so helpful, so encouraging? The answer is no.

Evidently there was something in my writing and the story I’d conceived that interested this editor. She said she would like to see the ms again, after I’d done the things she suggested. She said she would reconsider if the revisions were done to her specifications. One of the things that worried me was that little thing called voice. Voice is that unique way each one of us has of saying things. The words we use. The vocabulary. The tone and feeling of our writing. I never quite found the voice the editor wanted for the particular imprint at Silhouette that she thought my story would fit into well enough to be published.

That was approximately 13 years ago.

During the past  decade I packed away my writing and began to pursue other things. Hobbies. Social things. Family things. But recently that desire that lurks so deeply in my soul has been whispering to me when I lie down at night, when I meet someone who has some interesting quirk that could be used in a character, and when I least expect it some possible plot twist comes to mind. Yes! That need still lives within me.

So here I am as I begin this journey again. Hopefully if I keep talking here to myself, I can discover ways to better meet these characters head-on, and in the end, write a story that is publishable…but more than that, one that people will want to read and then afterwards, smile and say, “That was fun!”
 

Categories: Fiction Writing · Romance Fiction · Writing